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This was stateroom A Twenty-seven. Wonder who was in it?
Someone very rich, Jackman said. Bill, any idea who was assigned to A Twenty-seven?
Not a clue. Most of the wealthy passengers were on C deck, people like the Astors and Mr. and Mrs. Straus. Benjamin Guggenheim More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez and his valet were assigned to bouncing balls
deck. If we can get down there, well look for B Eighty-two-Eighty-four and B Eighty-six. Mitchell said admiringly, What kind of homework did you do-memorize the entire passenger manifest? No, just the numbers of certain cabins, in case we got any More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez access to them. Ghoulish curiosity, I guess. Carlson had been taking pictures of it i love money
light fixtures and a close-up of the cabin number. For a first-class stateroom, she said, this place seems awfully small.
Gillespie explained, Small by todays standards, but large by 1912 standards. Actually, the fanciest More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez accommodations were on B deck, a three-room suite with its own private promenade. Numbers B Fifty-one, Fifty-three, and kirstie alley fat again
if I remember correctly. Which reminds me, I wonder if we could get into A Thirty-six. Why A Thirty-six? Jackman asked. That was the stateroom occupied by Thomas Andrews, More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez the Titanics chief designer. His cabin was a last-minute modification and wasnt even shown on any deck plans, including the ones we have. White kirstie alley fat again
told passenger agents not to book anyone in that stateroom on the maiden voyage because it was reserved for Andrews. A Thirty-six More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez should be around here somewhere, Mitchell said. Gillespie was trying to remember what he had read about that particular cabin. No, he said, were on the starboard side. A Thirty-six was it i love money
closer to the Grand Staircase than we are right now. Andrews chose A Thirty-six because More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez it was centrally located and gave him easy access to the stairs and corridors of the lower decks. There were a series of staircases directly under the Grand Staircase where we entered, but I assume theres buster douglas
left of them either. We might try moving up this More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez corridor a little farther, Mitchell proposed, then go portside. They did try, but could proceed only a few feet beyond A27; from that point on, the corridor ceiling and walls had collapsed completely and all that faced them was tangled metal. We might as newark bears
go back, Jackman More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez said, unless, Bill, you want me to use the lasers and clear some kind of path. No, well just try the other side. It was heavy going. Every step seemed to dislodge particles of debris and rust, giving them the impression they were trudging through a snowstorm. More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez But to Gillespies joy, tom brandstater
found A36 approximately where he surmised it was. There was little left to inspect, however-just light fixtures similar to the ones they had seen in A27, plus a few pieces of crusted plumbing. There was no sign of the desk on More Page More Page More Page More Page More Page More Page More Page More Page More Page Juan Manuel Marquez which Andrews had studied the Titanics plans and blueprints-the ones tom brandstater
had placed in fro.